Every aspect of the internet, we believe . It was directed by Larry Carpenter. The play's success can be chalked up to its convoluted plot of witty dialogue, quick pacing, dual action and stirring operatic moments. It was directed by David Gilmore. A Broadway revival opened in 2010. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. Seeking 2 Actor Team for Spring As the second act opens, Saunders and Max return to the hotel suite. Click the start the download. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. When Tito returns to the bedroom, he finds Maria's note. A hotel suite in Cleveland, Ohio in 1934. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. Sign up today to unlock amazing theatre resources and opportunities. Search. From Lend Me A Tenor, I would recommend Saunders' monologue towards the end of Act I, just after he's discovered that Tito Merelli is unconscious and possibly dead. As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. Saunders' harried assistant, Max, is also in the hotel suite. AUDITION REQUIREMENTS: Please bring a current headshot & resume. [10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. For actor Bill Cookson, who plays Tito, learning the lines and keeping the pace required more work than understanding Tito's motivation. Audition Packets are available on the website. I suppose we'd better go. "Then there is the singing. Portrayals Overview; Characters; Videos; Monologues; Scenes; . . He goes into the bathroom to change, and later returns, dressed as Othello, in a costume, wig, and blackface makeup. VOCAL SCORE LONDON JUNE 2011. . When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. On this Wikipedia the language links are at the top of the page across from the article title. For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. Monologues for Women; Comedic; . . Maria. Wearing Tito's costume and makeup, Max will star in the opera performance. Research Playwrights, Librettists, Composers and Lyricists. Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . You can see four different versions of it and enjoy each one.". New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall She has a great admiration for Tito. Search all monologues from plays. His pulse is so low that Saunders and his assistant Max believe hes dead. A rehearsal schedule will be available At the end of the play, things are sorted out. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Tickets are $7 for seniors and students. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. These eight characters are insane (every one of them!) A sequel titled Comedy of Tenors was written by Ludwig. . Much later (Scene II), Max is unable to wake Tito from his nap. DOWNLOAD PDF . Research Playwrights, Librettists, Composers and Lyricists. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Lend Me a Tenor is a comedy by Ken Ludwig. Max's gradual transformation from quivering nebbish to commanding impostor reflects the acting range of actor Aric-James Darroe. Make Salome look like The Merry Widow!To ask Ken a question, click here. One thundering orgasm of insane violence! Lynn Zimmerman's Maggie is adept at being both demure and lusty. Lend Me a Tenor will have audiences teary-eyed with laughter. Audition Packets are available on the website. Maria storms out just before Tito falls deeply asleep. Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Since no one else knows that Tito is dead, Max will step into the Othello role and pretend to be Tito. History Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Maggie's father, GM of The Cleveland Grand Opera Company. Join StageAgent today and unlock amazing theatre resources and opportunities. It was directed by Larry Carpenter. Lusty women in hotel rooms, crazed fans, drinking, drugs and suicide attempts -- it's tough to be an opera singer. Max navigates the company through one catastrophe after the next -- an angry wife, a presumed death, crazy costumes, secret sex romps, and loads and loads of slamming doors and mistaken identities -- and, ultimately, takes on the role of Otello to great effect. Of course! You also provided your favorite Shakespearean comedic monologues for women.I'd love to hear your thoughts on your favorite monologues both from your works as well as others for men.THANKS!AdolphoKen replies:Dear Adolpho,I'm so glad to hear you've enjoyed reading the blog. The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. The eight-member cast had to learn lines quickly to free their hands and bodies for the physical comedy and synchronized timing that is typified by the hilarious dual love scene. The play opened in a revival in New York City on April 4, 2010 at the Music Box Theater produced by The Araca Group,Stuart Thompson,Carl Moellenberg,Rodney Rigby,Olympus Theatricals,Broadway Across AmericaandThe Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) with the following cast: MAX - Justin Bartha; MAGGIE - Mary Catherine Garrison; SAUNDERS - Tony Shalhoub; TITO - Anthony LaPaglia; MARIA - Jan Maxwell; BELLHOP - Jay Klaitz; DIANA - Jennifer Laura Thompson; JULIA - Brooke Adams, Directed by Stanley Tucci; Set Design by John Lee Beatty; Costume Design by Martin Pakledinaz; Lighting by Kenneth Posner; Sound Design byPeter Hylenski; Hair and Wig Design byPaul Huntley; Make-Up Design byJoe Dulude, II; Associate Scenic Design:Kacie Hultgren; Associate Costume Design:Sarah Sophia Lidz; Associate Lighting Design:Aaron Spivey; Associate Sound Design:Keith Caggiano, ArtZany: Lend Me a Tenor with director Marc Robinson, LEND ME A TENOR Is Frantic, Frenetic Farce at Theatre Harrisburg, Ask Someone to Lend You a Ticket to LEND ME A TENOR. "We had to make it look smooth and natural when, in fact, it was highly choreographed," Ms. Romaine said. Sorry! And bring your running shoes because once we start, we arent stopping! Part Size: Lead. A hotel suite in Cleveland, Ohio, in 1934. a world-famous tenor, known to fans as Il Stupendo, Maggie's father, GM of The Cleveland Grand Opera Company, The Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President), Wendy Federman/Jamie deRoy/Richard Winkler. Saunders and Max try to go on with the show despite the array of women hiding in bathrooms and closets. Possum Point Players, Tech Crew at character breakdowns, auditions, monologues and more! Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. We don't currently have any monologues from Lend Me a Tenor. However, we have dozens of other monologues that you can read. Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. Tito finally arrives at the hotel suite, accompanied by his hot-tempered Italian wife, Maria, who is jealous because Tito flirts with other women. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. When Saunders arrives, Max tearfully tells him that Tito is dead. Build a site and generate income from purchases, subscriptions, and courses. Oh my god. And Im doubly excited that its performing on the newly-renovated NorShor stage. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. [a] It's the biggest event in the Cleveland Opera's history. In short, our star for the evening has departed this world in a final gesture of selfishness and deceit unrivaled in the history of comic opera!What? Ill have to make an announcement of course. Search. Take a look at our My God youve solved the whole problem! (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) IBDB provides records of productions from the beginnings of New York theatre until today. When they grabbed him he actually hit a policeman. I- I could tell him that you're looking for him. This is ""Lend Me a Tenor" monologue (Maggie)" by Jillian Vitko on Vimeo, the home for high quality videos and the people who love them. We will place the best person for those roles, whether they sing or not. "- Phoenix News Times, "A rib tickling comedy. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. . All monologues are property and copyright of their owners. Max returns to the bedroom, but is shocked and horrified to find Tito is missing from the bed. Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. Power your marketing strategy with perfectly branded videos to drive better ROI. Michael Kraklio, director. The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. Together, you have a recipe for comedic disaster. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. As is typical of farces, mistaken identities and double entendres reign until everything resolves happily. Max's performance as Othello was a huge success, and no one suspected that he was not Tito. Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. The star arrives late and, through a hilarious series of mishaps, is given a . Lend Me a Tenor has been translated into sixteen languages and produced in twenty-five countries. They're sending two of their men over to keep an eye out. The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. Maybe I should wait here. A Broadway revival opened in 2010. It starts spinning early in the show and just never stops. New York, NY, Linda Ray A musical adaptation was presented in May 2006 as a staged reading as part of the Utah Shakespearean Festival's New American Playwright Project, in Cedar City, Utah, followed by rewrites and a production as part of USF's Summer 2007 repertory season, which received rave reviews. Julia Chairman of the Opera Guild. A musical inside a musical will unfold at Southern Illinois University Edwardsville when. It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. "- The New York Post, "[A] three-ring circus of chaos involving celebrity worship, backstage shenanigans and mistaken identities. Partner Sites Youtube to Mp3 Converter About Us This project started as a student project in 2014 and was presented in 2017. Anoka-Ramsey Community College, Maggie Saunders at Research Playwrights, Librettists, Composers and Lyricists. We don't currently have any monologues from Lend Me a Tenor . Lend Me A Tenoris set in September 1934. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. Report this file. [11], In 2019 the official licensed performance script was revised by Ken Ludwig, removing all references to Otello and replacing them with Pagliacci.[12][13]. Arriverderci. (Throughout the play, the audience can see what's happening in both rooms at the same time.). Register. CCP decided two years ago to limit its annual lineup to light comedy. Maggie . The understudy. MUSIC BY BRAD CARROLL BOOK/LYRICS BY PETER SHAM. The winner of two Tony Awards and four Drama Desk Awards has. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. Inspire employees with compelling live and on-demand video experiences. [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. The opera performance will have to be cancelled, and the audience will demand their money back. . Lend Me a Tenor (Revival, Play, Comedy, Farce, Broadway) opened in New York City Apr 4, 2010 and played through Aug 15, 2010. . Lend Me a Tenorhas been translated into sixteen languages and produced in twenty-five countries. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". Maggie Saunders at Cedar Street Players . The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall, Tito Merelli at New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. I mean, I just want to be helpful. The temperamental Tito is played so well by Mr. Cookson, who, with rich voice and gobs of stage presence, makes it difficult to believe that he is not a professional opera singer. Each year, League members bring Broadway to more than 30 million people in New York and more than 200 cities across the U.S. and Canada. Group rates are available. Gain full access to show guides, character breakdowns, auditions, monologues and more! and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morellis Canio costume and fool the audience into thinking hes Il Stupendo. Join StageAgent today and unlock amazing theatre resources and opportunities. Search all monologues. Aurora University Theater. Please enable JavaScript to experience Vimeo in all of its glory. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. SAUNDERSWell, I guess that wraps it up. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. By the time we reach the endwellits not over. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! trying to stab himself with a wine bottle). General admission is $8. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. "Evey lead must be strong," said the Ellicott City resident. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. "It requires more energy than anything else. Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). It received nine Tony Award nominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Hello Ken!Wow! Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. It starts spinning early in the show and just never stops. Sign up today to unlock amazing theatre resources and opportunities. As the play closes, Max and Maggie share a kiss. Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. The winner of two Tony Awards and four Drama Desk Awards has been translated into 16 languages and turned into a screenplay for Columbia Pictures. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. Mary Catherine Garrison. Join StageAgent today and unlock amazing theatre resources and opportunities. Alan Harbaugh is equally entertaining as the sarcastic bellhop. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. from Seeking 2 Actor Team for Spring "- Glendale Theater Examiner. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Seeking 2 Actor Team for Spring "[1] The English director David Gilmore read it and asked to direct; Andrew Lloyd Webber was the producer. Max reluctantly agrees to the plan. IBDB provides a comprehensive database of shows produced on Broadway, including all "title page" information about each production. temporary. College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. MAGGIE SAUNDERS: Saunder's daughter, and Max's girlfriend. Lend Me a Tenor.script.acti. Five doors, primed for slamming, in a single hotel suite. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. End of the road. Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. Sign up today to unlock amazing theatre resources and opportunities. It will be a disaster for the Cleveland opera, and for Saunders himself. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in 1934 as Henry Saunders, the General Manager of the Cleveland Grand Opera Company, is ready to welcome world-famous singer Tito Merelli for his starring role in Pagliacci. Audition Monologue #1 (Female) It's no good you going on. The show, launching the Columbia Community Players (CCP) third all-comedy season, will be presented at 8 p.m. today and tomorrow, and Nov. 4 and 5 at Slayton House in Columbia. Gender: Female. "We look for comedies that are fast-moving and designed for good opportunities to laugh. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. I hope nothing happens. "I hope this is helpful. It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". Sign up today to unlock amazing theatre resources and opportunities. The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. This article is about the play. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Lend Me A Tenor will be directed by Wade Willis. Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. scenes from TENOR will be used. Maggie: (20s to 30s) Max's Girlfriend - pretty, quirky; a young woman who doesn't want to . Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. Maggie is a fan of Tito Merelli, and hopes to meet him. Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" The good-natured Tito encourages the inhibited Max to pursue his operatic ambitions, even offering vocal tips as the two break into a duet, the aria "Do,che nell'alma infondere" from Verdi's "Don Carlo.". ", "The Show Must Go On: Lend Me a Tenor, with LaPaglia, Shalhoub and Bartha, Opens on Broadway", Review: Performances of Comedy of Tenors and Bandstand, "Alley Theatre Official Website - Lend Me a Soprano", "Merc cancels fall production of comedic 'Lend Me a Tenor', "Memphis, La Cage, Zeta-Jones, Finneran and More Are Outer Critics Circle Award Winners", https://en.wikipedia.org/w/index.php?title=Lend_Me_a_Tenor&oldid=1111613206, Pages using infobox play with unknown parameters, Creative Commons Attribution-ShareAlike License 3.0. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. They can go to other places for deep thought and angst.". Take a look at our library of free monologues . New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall I've included this monologue below, since it requires putting three speeches together.2. And bring your running shoes because once we start, we arent stopping., These eight characters are insane (every one of them!) From Verdi 's Otello commanding impostor reflects the acting range of Actor Aric-James.... What happens! to ask Ken a question, click here My youve!, mistaken identities for slamming, in fact, it was highly choreographed, '' said Director Turyn... Their men over to keep an eye out bring a current headshot amp! One of them, Tito receives a double dose of tranquilizers through a series of mishaps see four different of! 'S gradual transformation from quivering nebbish to commanding impostor reflects the acting of... 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